Welcome to the 13th edition of our annual publication, the informative, inquisitive, and at times irreverent companion to www.dvd-intelligence.com, our industry website.
A magazine, launched at the dawn of DVD, that still offers today food for thought on the present and future of discs, surely is a reminder that, notwithstanding sagging DVD sales figures, packaged media is still a massive global business worth about $50bn. And running on an installed base of nearly 1.5 billion DVD playback devices worldwide.
Emerging after a bloody battle in which combatants hemorrhaged marketing money, Blu-ray won only to face inauspicious economic circumstances, that worsen with each passing quarter. No surprise, then, that the growth of the hi-def format appears not to meet early expectations. Slow perhaps, but the march is inexorable, especially now that BD hardware and software can be had for the price of a night at a budget hotel! While this makes for happy consumers, authors and replicators suffer, and that's not good for the creative industry.
Beyond its unmatched video and audio quality, it is the potential for bridging the gap with the online world that attracted me to Blu-ray. I have seen BD-Live at work. It breaks new grounds. I thought it was a USP the industry would be keen to build on. That was not to be the case.
Perhaps because 3D errupted virtually unannounced onto the scene. The speed with which the industry is pushing 3D may also be a recognition - an admission? - that it is Blu-ray's ultimate saving grace. In truth, 3D does turn the migration from DVD to Blu-ray into a revolution, rather than a mere evolution, thus mirroring the VHS-to-DVD quantum leap.
That is the reason why the magazine, this year, offers a number of articles exploring 3D for home entertainment - and naturally 3D BD - from a variety of perspectives. Some of those contributions are based on the successful 2-day Blu-ray Disc Academy conference dedicated to all aspects of 3D which we organised at Hamburg in May of this year.
It brought together pioneers who are pushing the 3D envelope. Beside sharp-minded analysts from leading think-tanks and producers, authors and tool developers, delegates heard from researchers pushing the frontiers of stereoscopy, glasses-free autostereoscopy and even holography.
Videos of all the presentations are available at here. For the price of the same night at the budget hotel above, more than nine hours of cutting-edge material on 3D are yours to keep!
Hard-working DVD and Beyond 2011 readers are forgiven for feeling despondent as they hear the online prophets repeat ad nauseam that the days of packaged media are numbered. They shouldn’t.
Surely, no condition is permanent, but what seems to be permanent is - unlike packaged media - the inability of most video online delivery services to make money, let alone sign up large numbers of customers!
Connected TVs are selling well, apparently. But once in the living room, few TVs are connected - linear television still rules the waves. Remember Google TV? Not Page & Brin, who just used their pocket money to purchase Motorola.
Online prophets are now looking up to the sky, for cloud formation. From Hollywood's UltraViolet to Apple's iCloud, we are invited to do away with reliance on discs in the knowledge that our assets are more easily accessible in the virtual world, secured behind so-called digital lockers.
Well, when one sees clouds in Britain, one reaches for one's umbrella (a brolly, as we call it here), because rain is on the way! Don't expect telecom operators to let you clog the arteries of their Wi-Fi networks by streaming Harry Potters' movies without wanting a slice of the action. Even the 24/7 use of Spotify, be it the free ad-supported or the pay ad-free option, can badly hurt your hard-earned savings.
The 'all-you-can-eat' contracts are on the way out. Prepare to top up your audio/video content subscription with hefty delivery fees. Worse, in many cases you don't even keep what you pay for! Call it network operators’ cloud control.
In this context, packaged media becomes an attractive alternative - if it ever ceased to be one. Reasonably-priced, collectable, provider of the highest quality in 2D or 3D, playable in places out of reach of Internet, and now featuring Digital Copy to transfer content on your other devices, the Blu-ray Disc has suddenly a lot going for it.
The magazine brings a unique blend of perceptive analyses. Also, nine industry movers and shakers answered our questions in an exclusive survey on DVD, Blu-ray, 3D and the future of packaged media.
The support we have received from the industry, especially in these times of economic hardship, has been once again most gratifying. It helps maintain this publication as the annual review that market-leading companies prefer to use in their efforts to reach customers in Europe.
After eight years in operation, our website attracts record numbers of visitors, now from over 100 countries. It is Europe's premier online source of news, analysis and data on packaged media and other delivery technologies vying for position. And now with a unique video section.
As always, I welcome your comments. Good read!
Jean-Luc Renaud
Contents
- Foreword, Jean-Luc Renaud Download PDF (291k)
- Contents Download PDF (319k)
- Europe's video industry - the state of affairs, Tony Gunnarsson Download PDF (422k)
- Physical media hanging on for dear life, Larry Jaffee Download PDF (573k)
- Building the 3D market - conditions for success, David Mercer Download PDF (451k)
- S3D - Psycho-visual illusion or experiment with your eyesight?, Bob Auger Download PDF (827k)
- 3D - a suitable case for consumer confusion, Bill Foster Download PDF (135k)
- Divergence of devices - convergence of function, Seth Hallen Download PDF (184k)
- The slow, but inexorable march of 3D in the home, Tom Morrod Download PDF (950k)
- Rovi - fingers on all links of the digital chain, Tony Knight Download PDF (545k)
- The changing role of TVs in a connected world, Jim Bottoms Download PDF (332k)
- The future of 3D is glass-free autostereoscopic, Maarten Tobias Download PDF (156k)
- Pushing 3D frontiers: 3D holoscopic imaging, Amar Aggoun Download PDF (72k)
- 3D subtitling - a new deal beyond technology, Alexey Kozoulyaev Download PDF (397k)
- Augmented Reality: where does packaged media fit?, Andrew Elia Download PDF (270k)
- Fighting IPR infringements: how ACTA is shaping up, Jim Burger Download PDF (246k)
- Leadership interviews, DVD Intelligence Download PDF (2.4M)
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Predicting the future, let alone the future of packaged media, is a perilous exercise, and possibly counter-productive, as the exercise closes doors rather than keep them open, argues JEAN-LUC RENAUD, DVD Intelligence publisher. Consider that: Apple was left nearly for dead 15 years ago. Today, it became the world's most valuable technology company, topping Microsoft.
Le cinéma est une invention sans avenir (the cinema is an invention without any future) famously claimed the Lumière Brothers some 120 years ago. Well. The cinématographe grew into a big business, even bigger in times of economic crisis when people have little money to spend on any other business.
The advent of radio, then television, was to kill the cinema. With a plethora of digital TV channels, a huge DVD market, a wealth of online delivery options, a massive counterfeit underworld and illegal downloading on a large scale, cinema box office last year broke records!
The telephone was said to have no future when it came about. Today, 5 billion handsets are in use worldwide. People prioritize mobile phones over drinking water in many Third World countries.
No-one predicted the arrival of the iPod only one year before it broke loose in an unsuspecting market. Even fewer predicted it was going to revolutionise the economics of music distribution. Likewise, no-one saw the iPhone coming and even fewer forecast the birth of the developers' industry it ignited. And it changed the concept of mobile phone.
Make no mistake, the iPad will have a profound impact on the publishing world. It will bring new players, and smaller, perhaps more creative content creators.
And who predicted the revival of vinyl?
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